Synopsis: Set in Willet’s Point, an industrial sprawl of auto repair shops and junkyards in outer New York City, CHOP SHOP tells the story of 12-year-old Alejandro (Alejandro Polanco), an orphan living a hardscrabble existence in the “Iron Triangle.” The boy earns a meager living hustling customers… Set in Willet’s Point, an industrial sprawl of auto repair shops and junkyards in outer New York City, CHOP SHOP tells the story of 12-year-old Alejandro (Alejandro Polanco), an orphan living a hardscrabble existence in the “Iron Triangle.” The boy earns a meager living hustling customers into body shops, hawking candy on the subway, and helping to chop up the parts of stolen cars.
But he dreams of a better life. When his older sister Isamar (Isamar Gonzales) comes to live with him, Alejandro devises a plan to escape their desperate situation: they’ll buy a lunch truck that they can run together. Alejandro begins stashing money, and even indulges in criminal activity to achieve his goal. When he learns a devastating secret about his sister, it makes him more determined than ever to change things. But reality proves a difficult opponent in his struggle for the American dream. Full of naturalistic performances and exquisite handheld photography, CHOP SHOP shows a side of New York that is rarely seen in films about the Big Apple. Its characters, mostly immigrants, inhabit a landscape of rubbish-strewn alleys, deafening expressways, and rusted steel. Manhattan’s skyscrapers and the stands of Shea Stadium loom forever on the horizon. Though some may find the film’s unsparing depiction of poverty difficult to watch, the film is never hopeless, and the humanity of its characters always shines through. Altogether, it achieves an air of documentary-like authenticity that convinces the viewer that, long after the screen goes black, the lives of its characters will continue.

http://nitroflare.com/view/99DD66D54704D92/Chop_Shop.avi
http://www.nitroflare.com/view/6E6FAF36AF4253F/Chop_Shop.idx
http://www.nitroflare.com/view/B0DA4342E0EDBD6/Chop_Shop.rar

Language:English
Subtitles:English vobsub

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1. Ask Father
2. Billy Blazes Esq
3. Bumping into Broadway
4. From Hand to Mouth
5. Haunted Spooks
6. An Eastern Westerner
7. High and Dizzy
8. Get Out and Get Under
9. Number Please
10. Now or Never

1. Among Those Present
2. I Do
3. Never Weaken
4. A Sailor Made Man
5. Grandma’s Boy

http://nitroflare.com/view/14D8589058C28CE/01_Ask_Father_1919.avi
http://nitroflare.com/view/CA64622A03D8C5E/02_Billy_Blazes_Esq_1919.avi
http://nitroflare.com/view/FEEB50CE8ECA2BF/03_Bumping_Into_Broadway_1919.avi
http://nitroflare.com/view/25B5836E6AD3140/04_From_Hand_to_Mouth_1919.avi
http://nitroflare.com/view/64DF41D275FAE69/05_Haunted_Spooks_1920.avi
http://nitroflare.com/view/9E87C459118C77B/06_An_Eastern_Westerner_1920.avi
http://nitroflare.com/view/0BD552F55A22D56/07_High_and_Dizzy_1920.avi
http://nitroflare.com/view/E69338B9FA59774/08_Get_Out_and_Get_Under_1920.avi
http://nitroflare.com/view/DD7EC2AB9BD24C4/09_Number_Please_1920.avi
http://nitroflare.com/view/18CA0F01C0A9C81/10_Now_or_Never_1921.avi
http://nitroflare.com/view/B6313F08AB8060F/11_Among_Those_Present_1921.avi
http://nitroflare.com/view/45351F8AED44FC0/12_I_Do_1921.avi
http://nitroflare.com/view/1305F3C98EC330A/13_Never_Weaken_1921.avi
http://nitroflare.com/view/BAD646FB6F029FD/14_A_Sailor-_Made_Man_1921.avi
http://nitroflare.com/view/CF7C5BE592950C7/15_Grandmas_Boy_1922.avi

no pass

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Quote:
One of France’s most unpredictable writer-directors, Christophe Honoré (Dans Paris, Love Songs) offers an audacious, erotically upfront re-reading of Ovid’s Metamorphoses, enacted by a fearless cast of (largely unknown) young actors in contemporary French settings. Kicking off with a startling take on the story of Diana and Actaeon, Honoré’s film follows the wanderings of Europa (Akili), a high-school student who encounters a marauding truck driver – none other than Jupiter (Hirel), father of the gods. Streams of stories within stories bring the old transformation myths a modern-day slant – Narcissus as an arrogant teenage heart-throb, Orpheus as a charismatic housing-estate preacher – and add a multi-racial, polysexual perspective, teasing out the perversity, violence and rapture of classical legend. You may detect shades of Borowczyk, Pasolini, Rohmer and Derek Jarman’s Sebastiane, but this savage, rhapsodic, moving film is something entirely its own. A fabulous soundtrack completes the wayward beauty –BFI

http://nitroflare.com/view/BDE062D24904E1F/ChristopheHonore-%282014%29Metamorphoses.part1.rar
http://nitroflare.com/view/F95757EA17703D0/ChristopheHonore-%282014%29Metamorphoses.part2.rar

Language(s):French
Subtitles:Dutch, English

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Shannon Kelley wrote:
A nun in Uganda weighs the emptiness she finds in her supposed union with Christ. Adapted from a short story by Alice Walker, the film was a deliberate first move by its director toward narrative filmmaking, though its graphic simplicity and pantomimed performance by Barbara O. Jones give it an intensity that anticipates Julie Dash’s work on Daughters of the Dust.

http://nitroflare.com/view/DBE40F9687382AD/The.Diary.of.an.African.Nun.1977.DVD.AC3.2.0.x264-SaL.mkv

Language(s):English
Subtitles:None

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acqueline Stewart wrote:
Made in collaboration with performer Yolanda Vidato, Water Ritual #1 examines Black women’s ongoing struggle for spiritual and psychological space through improvisational, symbolic acts. Shot in 16mm black-and-white, the film was made in an area in Watts that had been cleared to make way for the I-105 freeway, but ultimately abandoned. At first sight, Milanda (Vidato, wearing a simple dress and scarves on her head and waist) and her environs (burnt-out houses overgrown with weeds) might seem to be located in Africa or the Caribbean, or at some time in the past. This layering of locations and temporalities continues to the film’s striking conclusion, in which a now nude Milanda squats and urinates inside an urban ruin. By making “water,” Milanda evokes the numerous female water-based figures in African-Diaspora cosmology as she attempts to expel the putrefaction she has absorbed from her physical environment, while symbolically cleansing the environment itself.

Structured as a ritual for Barbara McCullough’s “participant-viewers,” Water Ritual #1 honors Black/Third World women’s beauty and self-possession, and has been recognized as a pioneering work in Black feminist and experimental filmmaking. The film was inspired in part by the mental breakdown of a female friend of McCullough’s who retreated into “her own internal being.” The film shares with Charles Burnett’s Killer of Sheep a concern for how conditions of poverty, exploitation and anger render the Los Angeles landscape not as the fabled promised land for Black migrants, but as both causes and emblems of Black mental anguish. Although the film reflects a chain of abandonments— the city has turned its back on the Black community, residents have vacated their homes, and the deserted homes leave remaining folks like Milanda stranded and desolate—McCullough suggests that sites of urban blight can be activated as consecrated ground.

http://nitroflare.com/view/AD5280D3C8677E9/Water.Ritual.1.-.An.Urban.Rite.of.Purification.1979.DVD.AC3.2.0.x264-SaL.mkv

Language(s):English
Subtitles:None

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Quote:
The Spanish Civil War has been considered one of the most horrendous events in the recent European history and has been depicted by a plethora of writers, philosophers and artists – Hemingway, Picasso and even Guillermo del Toro. But how much do we know about the thirty-five years General Franco ruled in Spain for? Under what conditions did Spaniards live in the 1940s and 50s, for example? This is a much obscure period, due mainly to Franco’s protectionist attitude towards international politics.

If we have a look at the films which were being produced in Spain at the time, we might be at first deceived by a few examples of what has been called (Franco’s) ‘Regime Cinema’ – el cine del Régimen – a series of purely entertaining works that not only avoided tackling the country’s sociopolitical situation but also encouraged escapism (El último cuplé, Tómbola, El pequeño ruiseñor…). If we have a deeper look though, we can see how other not so widely known films dared to challenge the Spanish Establishment of the time. Calle Mayor, written and directed by openly communist director Juan Antonio Bardem is a clear example of this more subversive cinema.

The film starts with an overview of a town. An anonymous narrator tells us this is just a normal town, like there are many others. We follow the camera’s movement until it reaches the ‘calle Mayor’ – the town’s main street. We are introduced to Juan and his friends, who belong to the local middle class. In order to mitigate the boredom produced by the lack of amenities they drink, sing and plot distasteful pranks against other fellow citizens. The group targets sanctimonious spinster Isabel (Betsy Blair) as their next victim. Juan is then challenged to seduce naïve Isabel whose only hope in life is to get married. Isabel falls in love with Juan with a melodramatic passion which seems more appropriate for a teenage girl than a thirty-five year old woman. Realising at one point that the joke has gone too far, Juan turns to his friend Federico (Yves Massard) who wisely advises him to confess the truth to Isabel. Juan is then morally forced to make a decision whose consequences will turn everyone’s lives upside down.

Calle Mayor is a highly influential film still today. Based on the play La señorita de Trévelez by Carlos Arniches, it offers a very bleak vision of provincial society in Spain during Franco’s rule. We helplessly witness Juan and Isabel’s inevitable downfall and eventual social alienation. Meanwhile, the cruel and cunning pranksters never receive any punishment nor are even pointed at as guilty once in the film. They succeed somehow, and get away with it.

Juan Antonio Bardem’s vision of the society of his time was grim, especially when focusing on the – back then new-born – middle classes. This vision was also shared by other Spanish film directors such as Luis García Berlanga (Plácido, 1961) and Luis Buñuel (Le Charme Discret de la bourgeoisie, 1972) who also criticised the privileged classes in their works. — R. MARTÍNEZ (Spanish Film Review Club)

http://nitroflare.com/view/7528C9241D8916F/MainStreet1956.part1.rar
http://nitroflare.com/view/25F6872CD365D3A/MainStreet1956.part2.rar

Language(s):Spanish
Subtitles:English

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Nuit Noire, Calcutta is the story of a writer, Jean (Maurice Garrel), who has come to the coast to complete a novel about the french vice consul in Calcutta. He does not find his task an easy one, and he struggles throughout to find adequate words for his story. Convinced, as he puts it, that the words do exist somewhere, he is shown repeatedly working on his manuscript, deleting sentences, or tearing pages in frustration. In the process he empties several bottles of whisky (hence the connection with the theme of alcoholism). As he writes, there is a story unfolding in the outside world that seems to parallel the one he is inventing, although it is not clear which of these is mirroring the other. The two series of events refuse to converge; but this enables the film to explore the ironical,metaphorical relationship between the imagenery, speculative world of Callcutta and the dunes and mudflats of the Seine estuary at Ouistreham.

http://nitroflare.com/view/C3AB8A606319F8C/Nuit_noire%2C_Calcutta_%281964%29_–_Marin_Karmitz.mkv

Language(s):French
Subtitles:English, Russian (muxed)

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Chinese Checkers
Two women play Chinese checkers. Halfway through the film, the women are transformed through masks, make-up and costumes and they drift from a concentration on the board game to a concentration on each other’s hands and eyes, engaging in a game of seduction and lovemaking. Chinese Checkers was shot in New York in 1964 just before Dwoskin moved to the UK. It features Joan Adler and Beverly Grant and is based on a story by American experimental filmmaker Harry Smith. This film is not suitable for young audiences.

Founded in 1966, the London Film-Makers’ Co-operative started life at Better Books, a counter-culture bookshop on Charing Cross Road, where a group led by poet Bob Cobbing and filmmakers Stephen Dwoskin and Jeff Keen met to screen films. Initially inspired by the activities of the New American Cinema Group in New York, the London Co-op grew into a pioneering organisation that incorporated a film workshop, cinema space and distribution office. During its four-decade history, the Co-op played a crucial role in establishing film as an art form in the UK and participated in a vibrant international film scene. This BFI Player collection brings together new scans of films distributed by and/or produced at the London Co-op.

http://nitroflare.com/view/41ECEE37A846F83/Chinese_Checkers_%28Stephen_Dwoskin%2C_1969%29.mkv

Language(s):English
Subtitles:None

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In the heat of the summer. A lonesome house in the countryside between woods and corn fields. Nine-year-old twin brothers are waiting for their mother. When she comes home, bandaged after cosmetic surgery, nothing is like before. The children start to doubt that this woman is actually their mother. It emerges an existential struggle for identity and fundamental trust.

1.03GB | 1h 39mn | 720×428 | mkv

http://nitroflare.com/view/73EE249CA9558FB/IchSehIchSeh.part1.rar
http://nitroflare.com/view/133E94A3954DF91/IchSehIchSeh.part2.rar

Language(s):German
Subtitles:English Dutch

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Early 1970s. Amedeo is a poor Italian immigrant living in Australia for twenty years. Seeking to marry an Italian wife, he corresponds with Carmela, a pretty girl from Rome. They do not reveal their true identities and do not mention their hardships in their letters. Carmela is actually a prostitute seeking an opportunity to change her life style. Amedeo, embarrassed about his looks, sends a photograph to Carmela of his handsome friend Giuseppe. Finally, Carmela lands in Melbourne. Amedeo meets Carmela at the airport and he is struck by her beauty. Thinking he will be rejected because of his looks, he decides to tell Carmela that he is Giuseppe, and he reserves to tell her the truth at a later moment. This starts a three day eventful journey across Eastern Australia. Carmela will soon become better acquainted with Amedeo and she learns of his hardships as an immigrant. She eventually meets the real Giuseppe, however, she believes that he is her betrothed groom, Amedeo. She quickly learns Giuseppe’s true shady intentions. In fact, she finds herself living in a red light district and then escapes. Amedeo and Carmela finally find true happiness together.

1.23GB | 1:49m | 608×336 | avi

http://nitroflare.com/view/4D1F49D1079CB1F/BelloonestoemigratoAustraliasposerebbecompaesanaillibata%281971%29.part1.rar
http://nitroflare.com/view/DFCB18E4598F55B/BelloonestoemigratoAustraliasposerebbecompaesanaillibata%281971%29.part2.rar
http://nitroflare.com/view/D29DD27161A4078/Bello_Onesto_Emigrato_eng.srt

Language(s):Italian, Russian Dual
Subtitles:English

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About the fate of Anne, a peasant girl who finds herself among the inhabitants of the «Dream» furnished rooms in a town of Western Ukraine. They are unfortunate people who can’t be settled in life that shuts the door on them. Only Anne manages to realize her dream of worthy existence: having overcome serious difficulties she finds herself in the USSR.
Source : www.mosfilm.ru
—
(imdb)
A Ukranian girl’s experiences in capitalist Poland, 21 April 2005
9/10
Author: recordaras from Russian Federation

A picture that might be rather difficult for present-day non-Russian cinema lovers to understand, Mikhail Romm’s “Mechta” tells the story of Anna, a Ukranian girl from Lviv, who had to leave her peasant home for a city in Poland to be able to support herself.

The film begins as a comedy – we learn that Anna works nights at a restaurant and days as a servant for madam Rosa Skorokhod (played by the genius Ranevskaya – one of her first dramatic parts), a Jewish shop and lodging-house owner with a work-less engineer son. Throughout the film the simple, naive Anna is surrounded by many Polish middle ground characters, all spoiled by the horrors of capitalism, and all depicted with Romm’s immaculate sense of irony. From the beginning of the picture we sense that Anna will end up playing a heroic part, which she does – first trying to walk to Russia with Lazar Skorokhod, madam Rosa’s son, and being put into jail for such a deed, and in the end of the film returning to Poland as a political activist and showing Lazar a picture of a factory built in Soviet Russia from his blueprints, which had been refused by all Polish companies, the fact that had forced him to quit engineering and take over his mother’s grocery store.

“Mechta”, or “Dream”, filmed in the beginning of the forties, is a highly politicized picture. In the first part, Lazar asks Anna of her dreams – she answers that she would like her parents to be able to afford a cow, to get married and health for all her beloved ones. Lazar, on the other hand, dreams of becoming an engineer and helping humanity “walk” by “moving its legs”. This disagreement is remembered in the end of the film, when Anna and Lazar meet again, for the first time in five years – he tells the now-activist young woman of how he remembers her past foolish dreams and adds that he has completely forgotten about his. What had started out as a comedy by the second half turns into a serious drama. Not only Lazar reaches the end of the film unsuccessful – all the secondary Polish characters fail to have their dreams come true, one ending her “eternal bride” life by suicide. The rather clear message of the movie, thus, can be further simplified to the message of “Capitalist = Reactionary and Bad, Communist = Modern and Glorious,” the fighter Anna being a representation of change that will come in spite of the hardships.

When a viewer chooses a film made in the times of Stalin, he should be ready for the ideological pathos that it will most surely contain. If one is able to either treat it with condescension, attributing much to the time, or to keep in mind a vivid image of the historical period and try to imagine himself in the place of the original viewers, he is bound to be in for an immensely pleasant experience. If not, it would be better to completely avoid early Soviet cinema – for the sake of not labeling as bad something that has simply not been fully understood.

1.36GB | 1:39:26 | 672×496 | avi

http://nitroflare.com/view/9F4F98FFD1F88F8/Mechta%281943%29.part1.rar
http://nitroflare.com/view/3F2E530AA6F6622/Mechta%281943%29.part2.rar

Language:Russian
Subtitles:English

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An Anthropological Television Myth is an excuse to introduce television anthropology into the culture debate, reading the history of a country and its people through the archives of hundreds of private TV stations scattered throughout Italy.

MUBI’s take wrote:
A great example of how seemingly mundane footage can be reused to create a work of social importance, this exercise in visual history-telling uses a medium representative of popular culture as a tool for the reading of social movements and citizen engagement in a Sicilian city.

1.05GB | 59min53s | 768×576 | mkv

http://nitroflare.com/view/64015196794C8D5/Un_mito_antropologico_televisivo__Maria_Helene_Bertino%2C_Dario_Castelli%2C_Alessandro_Gagliardo__2012.part1.rar
http://nitroflare.com/view/354C959C06891E1/Un_mito_antropologico_televisivo__Maria_Helene_Bertino%2C_Dario_Castelli%2C_Alessandro_Gagliardo__2012.part2.rar

Language(s):Italian
Subtitles:English (hardcoded)

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Mia Hansen-Løve’s Eden, co-written with her brother Sven Hansen-Løve, is based on 20 years of his life as a DJ of electronic music, during the heyday of French Touch. While it is as personal as her previous film Un amour de jeunesse, the rhythm of Eden is structured by the music. Authenticity remains key, which does not necessarily mean naturalism. Hansen-Løve’s momentary excursions into animation, split screen, and possibly re-writing of world history are the most effective parts. EyeForFilm

Synopsis:
In the early 1990s, France’s electronic music revolution is well underway. Paul, a disk-jockey, has just made his debut in the Parisian night scene. With his best friend he has created the musical duo Cheers. Success comes quickly and in no time they are performing in some of the biggest nightclubs in the capital. This is just the start of their euphoric rise to fame, although their success will prove to be short-lived and not without its hazards…FdF

1.36GB | 2h 11mn | 1920×808 | mkv

http://nitroflare.com/view/8CDB1ADED50B830/Eden2014.part1.rar
http://nitroflare.com/view/6144880F1E92C0F/Eden2014.part2.rar
http://nitroflare.com/view/04542713AADF9FF/Eden2014.part3.rar
http://nitroflare.com/view/872C07C78ACFCEA/Eden2014.part4.rar
http://nitroflare.com/view/EAA7A5E2BBA0289/Eden2014.part5.rar

Language(s):French, English
Subtitles:English

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In the wake of the ferocious repression by the Bourbon reign of the 1828 uprisings, three Southern Italian young people whose families are involved decide to join Giuseppe Mazzini’s Young Italy movement. In the course of four episodes, each corresponding to a little-known page from the history of Italian unification, the lives of Domenico, Angelo and Salvatore are tragically marked by their mission as conspirators and revolutionaries, leading to an existence suspended between moral rigour and murderous instinct, spirit of sacrifice and fear. (~europeanfilmawards.eu)

2,73GB | 03:35:44 | 704 x 384 | avi

http://nitroflare.com/view/B6D5ED2E2D17BD4/Noicredevamo.part1.rar
http://nitroflare.com/view/D84C0200D369F31/Noicredevamo.part2.rar
http://nitroflare.com/view/6DC4D257F71CE1E/Noicredevamo.part3.rar

Language(s):Italian
Subtitles:English (optional)

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Apocalypse. Two starving kids find a dead body in the ruins.

From the director of An Elephant Sitting Still and under the supervision of Béla Tarr

235MB | 16 min 6 s | 948×720 | mkv

http://nitroflare.com/view/47A06F14D87C7C7/Man.in.the.Well.AKA.Jing.Li.De.Ren.2016.720p.SUBBED.WEBRip.x264-gooz.mkv

Language(s):Mandarim
Subtitles:English (hardcoded)

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Synopsis
Measuring Change consists of two shots, which run for about 30 minutes each. The camera is completely still and its placement seems to be exactly the same for both. The film revisits Robert Smithson’s Spiral Jetty, his landmark 1970 sculptural work on the northeast shore of the Great Salt Lake, which the director had already interacted with in Casting a Glance (2007). The filmmaker seemingly repeats the vantage point of one of the shots he made ten years before, allowing the jetty to spiral towards the center of the frame. Yet, there are two major differences. While Casting a Glance was shot on 16mm, and dealt with the durational limitations of the film reel, Measuring Change is shot on digital, which allows one to watch Smithson’s work through Benning’s camera for a much longer period of time (in the Q&A after the screening, he mentioned that he actually prefers the digital image over film – something one doesn’t hear often coming from filmmakers). The other difference is that this time the lake has receded so far back that the Smithson’s piece is completely surrounded by land, while the shore gets lost in the horizon.

264MB | 1 h 1 min | 1024×576 | mkv

http://nitroflare.com/view/0A65FF8F4C3DB0F/Measuring.Change.2016.SD.WEB-DL.AAC2.0.H.264-Cinefeel.mkv

Language(s):None
Subtitles:None

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Rose, who works for a penny-pinching junk dealer, dreams of romance with wealthy bachelor Ted Tudor.

687MB | 53mn 27s | 640×480 | avi

http://nitroflare.com/view/7F4A850ABEC7B1B/1926_Raggedy_Rose.avi

Language(s):Silent, English Intertitles
Subtitles:No

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Plot Synopsis by Mark Deming
In this light drama, Clark Gable once again played his stock-in-trade role of a rogue with a heart of gold. Charlie King (Gable) runs a casino, but, in a business that thrives among the unscrupulous, Charlie takes pride in running an honest game and treating his customers with fairness and respect. However, Charlie’s wife Lon (Alexis Smith) doesn’t care if he runs a fair game — she regards gambling as a dirty and corrupt business, and no matter how honest Charlie may be, he’s still involved in a wicked activity. Charlie’s son Paul (Darryl Hickman) is also against him; when Paul gets in trouble and Charlie bails him out of jail, he refuses to leave with him, instead going home with mother. Charlie invites Paul to see what his casino is like, and Lon agrees that Paul should know just what his father does.

1,31GB | 01:42:46 | 640 x 480 | avi

http://nitroflare.com/view/8CC5704E7DCACA2/Any.Number.Can.Play.1949.DVDRip.XviD.part1.rar
http://nitroflare.com/view/311F59DA35B1331/Any.Number.Can.Play.1949.DVDRip.XviD.part2.rar

Language:English
Subtitles:Spanish (.srt)

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New York 2095. In a strange pyramid floating in the sky, the gods of ancient Egypt are judging Horus. In the city, a young women with blue hair and tears is arrested, but she has a secret power, even to herself..

4,37GB | 1h 42mn | 1280×688 | mkv

http://nitroflare.com/view/4E46484C1F91F3C/immortal.720p-x264.part1.rar
http://nitroflare.com/view/78C89FC43BD8B56/immortal.720p-x264.part2.rar
http://nitroflare.com/view/1B9FC7199519C25/immortal.720p-x264.part3.rar
http://nitroflare.com/view/845D7EBC9827EFC/immortal.720p-x264.part4.rar
http://nitroflare.com/view/E1A67D96792B595/immortal.720p-x264.part5.rar

Language(s):English, French
Subtitles:No

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Synopsis
The search for the body of Andres Bonifacio.

7,28GB | 8 h 5 min | 1280×720 | mkv

http://nitroflare.com/view/9587C3CCEA6F584/Hele.sa.hiwagang.hapis.AKA.A.Lullaby.to.the.Sorrowful.Mystery.2016.720p.WEB-DL.AAC2.0.H.264-Cinefeel_Part_1_.mkv
http://nitroflare.com/view/C5AFAE3078C5B6E/Hele.sa.hiwagang.hapis.AKA.A.Lullaby.to.the.Sorrowful.Mystery.2016.720p.WEB-DL.AAC2.0.H.264-Cinefeel_Part_2_.mkv

Language(s):Tagalog
Subtitles:English, German